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Contrary to popular belief, the
Book of Five Rings was
likely written for the individual swordsman and not for martial
artists in general, and certainly not for modern business people in
the Western world looking for suitable strategies for bringing down
their enemies. While it is true that meeting an adversary in a
battle of life and death requires mastery of one's physical
capabilities with the weapon, as well as courage and mastery of
one's emotions, it is a long shot to draw useful parallels between
the seventeenth century Japanese swordsman and the modern civilian
businessperson. The reason why Musashi’s work is often viewed as a
universal guide to leadership is because, after World War II,
"Japanese corporations hijacked Musashi and the samurai way. The
Book of Five Rings became
a business bible for an emerging economic superpower." Or as with
"any significant text, each generation can reinvent its own
meaning."
That
said, Musashi's book offers a fascinating study into the Japanese
mindset of a samurai, who had dedicated his life to perfecting not
only his physical skill with the sword, but his mental composure,
and who had a clear sense of the fine line that separates the living
from the dead in a sword battle. Musashi understood that in a
dangerous environment, one risked one's life daily and must be
prepared to wield one's weapon with absolute precision and intent to
eliminate the enemy. One stroke with the sword could kill or
dismember an adversary. Understanding the capacity of the weapon
therefore encouraged the samurai to treat it with utmost respect.
The sword proved particularly dangerous when wielded by a trained
swordsman, which was a reason why the samurai were held in such high
regard. Or as Musashi said, one should pick up a sword only when one
is prepared to use it for its intended purpose: in a struggle of
life and death.
While
the difference between science and art is often debated in modern
martial arts, and while it is tempting to view the "art" part of
martial arts as the individual expression of the discipline, or even
as a peaceful practice of a martial science, what set Musashi apart
from modern martial artists, was that he approached swordsmanship,
not as an art practiced primarily for self-improvement, but as a
science, or a truth to be relied upon in matters of life and death.
Participating in his first duel at age thirteen, he took to serious
and continuous study of martial science. By the age of twenty-one,
he had partaken in numerous duels against other martial artists from
different schools. Some sources indicate that Musashi's first duel
was fought with sticks rather than with live swords, and subsequent
duels were sometimes fought with wooden swords and to the death, or
until the opponent was disabled or humiliated.
Nearing
advanced age at sixty, and having dedicated his life to
swordsmanship in the samurai tradition, Musashi wrote the
Book of Five Rings by
looking through a scientific prism, much like a general in any war,
who focuses on the ends of his actions. Rather than providing a list
of steps one might take in specific circumstances, as is often the
case in the Chinese treatises, the
Book of Five Rings offers a direct route to victory. Musashi
attributed his undefeated record to an understanding of scientific
principles as applied to sword fighting. Victory related not only to
oneself, but also to circumstance, and was further influenced by the
enemy’s skill or lack thereof.
In
order to attain total focus while staying aware of the surroundings
and respond to threats with perfect timing, Musashi noted the need
to develop an inwardly calm in the midst of chaos. Moving the sword
as if it were an extension of the body was the result of muscle
memory developed through extensive practice. An accomplished martial
artist would no doubt have experienced times when he could enact
techniques with precision, yet without thought. A person unfamiliar
with the martial arts may have had similar experiences driving a car
without thought, yet perfectly safe, while engaged in intellectual
conversation with a passenger. Or you might have had a similar
experience typing a paper for school, fingers moving effortlessly on
the keyboard, yet striking the proper keys.