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Knives,
Swords, and Bayonets: A World History of Edged Weapon Warfare
examines the history of edged weapons in Europe, Asia, Africa, the
Americas, and the Middle East and surrounding areas before gunpowder
increased the distance between combatants. Edged weapons were
developed to function in foot or mounted combat. The primary
battlefield function often determined the specific design of the
weapon. In poorer societies the general populace frequently modified
agricultural tools into weapons of war. The techniques for employing
these tools in civilian life translated into viable methods of
combat. When the advent of firearms made certain edged weapons
obsolete, close range combat continued to rely on foot soldiers
carrying knives and bayonets as sidearms to modern artillery
weapons. But even in ancient times edged weapons were seldom the
primary arms, but were frequently employed as sidearms to long range
projectiles. Rebel fighters of Third World countries have likewise
used edged weapons extensively in near modern and modern wars.
The
Knives, Swords, and Bayonets series takes a critical look at the
relationship between the soldier, his weapon, and the social and
political mores of the times. Each part examines the historical
background and metallurgic science of the knife, sword, and bayonet
respectively, and explores the handling characteristics and combat
applications of each weapon. The author suggests that the reader
make specific note of how battlefield need and geography influenced
the design of the weapon, the type of warfare employed (guerrilla,
rebellion, chivalry, pitched battle, skirmish, mass army, etc.), and
the type of armor available to counter the blow of a knife or sword.
The
historical treatment of edged weaponry could fill volumes. Because
of the vastness of the subject, certain restrictive measures had to
be applied in order to keep the series within a reasonable length
while still giving adequate coverage. For example, the author has
chosen to cover Chinese and Japanese but not Korean sword history.
Every reader is thus bound to find some favorite details omitted.
While many treatments of the subject focus exclusively on the
technical aspects of weapons, this series also considers the
political climate and the environmental or geographical factors
under which the weapons evolved. Moreover, every culture, western or
non-western, employs a number of subtleties that are exceedingly
difficult to understand fully, unless one has spent time living in
and studying the specific culture. The same can be said for every
subculture (a culture within a culture), such as a military
organization. The reader is reminded that, unlike science which is
mathematically precise, history offers a broad range of perspectives
on every issue.
The
narrative the author has chosen to write portrays the development
and dynamics of edged weaponry from ancient to modern times,
including the soldier’s training and his view of military service.
The close relationship between military and political or social
history also spurred the author’s desire to examine the carry of
edged weapons as symbols of military rank and social status. Rather
than covering battles in their entirety, the author has elected to
illustrate bits and pieces of particular battles that exemplify how
the weapon in question was used. The series comprises ten parts
arranged by weapon type, geographical area, and time period, and is
designed to introduce the reader to the great assortment of edged
weaponry that has been used with varied success in most regions of
the world. Each part of the series is an entity in itself. In other
words, it is not necessary to read the series in any particular
order. Hopefully, the series will provide the reader with a solid
foundation for continued study.
For her
research, and in order to render an analysis that closely describes
the dynamics of battle and the cultural aspects surrounding edged
weaponry, the author has relied on a large number of primary and
secondary source materials including historical treatises, artifacts
located at museums, ancient artists’ renditions of war in sculpture,
paint, and poem, eyewitness accounts to the events in question,
books, articles, documentaries, Internet resources, university
lectures, personal correspondence, and direct hands-on practice with
weapons in mock battles. Note that source material is often
contradictory in nature. For example, swordsmen of the same era and
geographical region frequently differed in their views with respect
to the conduct of battle or the “best” type of sword or battlefield
technique. The reader is encouraged to keep an open mind and
consider the different possibilities that the soldier faced, and why
he would emphasize a particular type of weapon or combat technique
over another. The endnotes provide additional information,
clarification, and exceptions to commonly propagated historical
beliefs.
The
author reminds the reader that despite their lethal features, edged
weapons are not randomly chosen bars of steel that can cut and kill.
The difference between victory and defeat often lies in the
soldier’s knowledge, skill, and fortitude; in how well he handles
his weapon, and also in how well the weapon adheres to the laws of
physics with respect to balance and motion. Studying metallurgic
science is the key to understanding the relationship between the
weapon smith and the soldier. The knife- or swordsmith thus carried
part of the responsibility for the soldier’s success or failure.
Additionally, edged weapons were an integral part of the soldier’s
kit and often represented abstract qualities such as bravery and
honor. By understanding the history of knives, swords, and bayonets,
one will gain insight into the culture—the external and internal
forces—that shaped the men who relied on these weapons in personal
struggles of life and death.
This book
comprises the following parts:
Kukris and Gurkhas
Machete, Kris, and Throwing Iron
Cold Steel
Japanese Swords
Chinese Swords
Yatagan, Khanda, and Jamdhar
Sickle Sword and Battle Axe
Gladius and Spatha
Longsword and Saber
Pike, Halberd, and Bayonet